Jeannette Sorrell is recognized internationally as a leading creative voice among early-music conductors. She has been credited by the U.K.’s BBC MUSIC MAGAZINE for forging “a vibrant, life-affirming approach to the re-making of early music… a seductive vision of musical authenticity.”
Hailed as “one of the world’s finest Baroque specialists” (St. Louis Dispatch), Sorrell was one of the youngest students ever accepted to the prestigious conducting courses of the Aspen and the Tanglewood music festivals. She studied conducting under Robert Spano, Roger Norrington and Leonard Bernstein, and harpsichord with Gustav Leonhardt in Amsterdam. She won both First Prize and the Audience Choice Award in the 1991 Spivey International Harpsichord Competition, competing against over 70 harpsichordists from Europe, Israel, the U.S., and the Soviet Union.
Sorrell is the founder and conductor of Apollo’s Fire, one of the world’s leading period-instrument orchestras. She has led AF in sold-out concerts at London’s BBC Proms and London’s Wigmore Hall, Madrid’s Royal Theatre (Teatro Real), the Grand Théâtre de l’Opéra in Bordeaux, the Aldeburgh Festival (UK), the Tanglewood Festival, Boston’s Early Music Festival, the Aspen Music Festival, the Library of Congress, and the Metropolitan Museum of Art (New York), among others. At home in Cleveland, she has built with AF one of the largest audiences of any baroque orchestra in North America.
As a guest conductor, Sorrell has worked with many of the leading American symphony orchestras. Her debut with the Pittsburgh Symphony in 2013 as conductor and soloist in the complete Brandenburg Concertos was met with standing ovations every night, and hailed as “an especially joyous occasion” (Pittsburgh Tribune-Review). She has also appeared as conductor or conductor/soloist with the New World Symphony (Miami), the Los Angeles Chamber Orchestra, the Utah Symphony, Seattle Symphony, the Opera Theatre of St. Louis with the St. Louis Symphony, Handel & Haydn Society (Boston), the Omaha Symphony, North Carolina Symphony, Grand Rapids Symphony, and has appeared with the Cleveland Orchestra as guest keyboard artist. In 2014 Ms. Sorrell filled in for British conductor Richard Egarr on 5 days’ notice, leading the complete Brandenburg Concertos and playing the harpsichord solo in Brandenburg no. 5, for the closing concert of the Houston Early Music Festival. In 2015 she returned to the Pittsburgh Symphony as conductor/soloist. Upcoming engagements include the St Paul Chamber Orchestra, Grand Teton Festival, and a return to the Utah Symphony.
Sorrell and Apollo’s Fire have released 22 commercial CDs, of which 7 have been bestsellers on the Billboard classical chart. Her recordings include the complete Brandenburg Concerti and harpsichord concerti of Bach (with Sorrell as harpsichord soloist and director), which debuted in the Billboard Classical Top 10 in 2012, and was praised by the London Times as “a swaggering version… brilliantly played by Sorrell.” She has also released four discs of Mozart, and was hailed as “a near-perfect Mozartian” by Fanfare Record Magazine. Other recordings include Handel’s Messiah, the Monteverdi Vespers (Billboard Classical Top 10) and four creative crossover projects: Come to the River - An Early American Gathering (Billboard Classical Top 10); Sacrum Mysterium - A Celtic Christmas Vespers (Billboard Classical #11); Sugarloaf Mountain - An Appalachian Gathering (Billboard Classical Crossover #5), and Sephardic Journey – Wanderings of the Spanish Jews (Billboard World Music #2, Classical #7), just released this year.
Sorrell has attracted national attention and awards for creative programming. She holds an honorary doctorate from Case Western University, two special awards from the National Endowment for the Arts for her work on early American music, and an award from the American Musicological Society. Passionate about guiding the next generation of performers, Ms. Sorrell has led many baroque projects for students at Oberlin Conservatory.