SPCO concerts are canceled through May 10 in an effort to limit the spread of coronavirus (COVID-19).

Kyu-Young Kim

Artistic Director and Principal Violin, Bruce H. Coppock Chair

Artistic Director and Principal Violin of The Saint Paul Chamber Orchestra, Kyu-Young Kim is one of the most versatile and accomplished musicians of his generation. His appointment as the SPCO’s Artistic Director in January 2016 marks the first time a playing member has been tapped to take the artistic helm of a major American orchestra. Previously, Kim served as Director of Artistic Planning with the SPCO while continuing to perform in the orchestra. Since assuming his dual role in 2013, the SPCO has named seven new Artistic Partners, opened its new Concert Hall at the Ordway Center for the Performing Arts to great critical acclaim, toured throughout the U.S. and to Europe, and won a Grammy Award in 2018 for its disc of Schubert's Death and the Maiden with violinist Patricia Kopatchinskaja.

Kim has also toured throughout the world as a founding member of the Daedalus Quartet with whom he won the Grand Prize at the 2001 Banff International String Quartet Competition and was a member of Chamber Music Society of Lincoln Center’s Chamber Music Two Program. As a former member of the Pacifica String Quartet, Mr. Kim won the prestigious Naumburg Chamber Music Award. He has appeared as soloist with the Korea Broadcasting System (KBS) Symphony Orchestra, The Saint Paul Chamber Orchestra, the Amadeus Chamber Orchestra of Poland and the Bloomington Symphony Orchestra. He has also served as guest concertmaster of the Pittsburgh Symphony, the Minnesota Orchestra, and the Mostly Mozart Festival Orchestra, and is an Emeritus Member of the Orpheus Chamber Orchestra.

What is different about performing with the SPCO versus other ensembles? “We play such a wide range of music and work with such interesting Artistic Partners. Other great chamber orchestras tend to be specialists, but we can play an amazing Baroque week with someone like Artistic Partner Richard Egarr, then do a world premiere and a Beethoven symphony the next week, and play chamber music with Jeremy Denk the week after that. You have to be able to turn on a dime in this orchestra, which makes it very challenging but also super fun and rewarding.”